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Edgar Degas
Study for nude
mk206
1896
Oil on canvas
77x83cm
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Edgar Degas
Dance have a break
mk206
1897-1901
Oil on canvas
65.4x77.5cm
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Edgar Degas
Dance behind the curtain
mk206
1897-1901
Oil on canvas
80x110cm
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Edgar Degas
Lady in the bathroom
mk206
about 1897
Oil on canvas
59.3x61cm
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Edgar Degas
Lady in the bathroom
mk206
about 1897
oil on canvas
51x46cm
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Edgar Degas
Dancer triming dress
mk206
about 1899
oil on canvas
62.2x64.8cm
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Edgar Degas
Dancer triming dress
mk206
1899
Oil on canvas
60x63cm
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Edgar Degas
Two dance wear yellow dress
mk206
about 1902
83.2x69.9cm
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Edgar Degas
ballerina-s performance at opera house in Paris
mk206
1877
Oil on cavnas
35.2x70.6cm
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Edgar Degas
Dancer
mk206
1900-1910
Oil on canvas
45x93cm
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Edgar Degas
The Ballet from Robert le Diable
mk206
1876
Oil on canvas
76.6x81.3cm
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Edgar Degas
Portrait of an office
mk206
1873
Oil on canvas
73x92cm
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Edgar Degas
Diego Martelli
mk206
1879
Oil on canvas
110x100cm
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Edgar Degas
The Millinery Shop
mk206
about 1884-90
Oil on canvas
100x110.7cm
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Edgar Degas
After the bath
mk206
about 1896
Oil on canvas
89x116cm
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Edgar Degas
Giulia Bellelli,Study for The Bellelli family
mk206
1858-9
Essence on buff wove paper mounted on panel
35.5x26.7cm
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Edgar Degas
Nude woman drying herself
mk206
about 1884-6
Oil on canvas
150x214.3cm
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Edgar Degas
Mme Theodre Gobillard
mk206
1869
Oil on canvas
55.3x65.1cm
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Edgar Degas
Woman ironing
mk206
about 1869
Oil on canvas
92.5x74cm
Munich,Nene Pinakothek,Bayerische Staatsgemaldesammlungen
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Edgar Degas
Woman ironing
mk206
about 1884-6
Oil on unprimed canvas
76x81.5cm
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| Edgar Degas
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French Realist/Impressionist Painter and Sculptor, 1834-1917
French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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